Guide: How to cite a Email in Harvard - University of Wolverhampton style

Guide: How to cite a Email in Harvard - University of Wolverhampton style

Cite A Email in Harvard - University of Wolverhampton style

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Use the following template to cite a email using the Harvard - University of Wolverhampton citation style. For help with other source types, like books, PDFs, or websites, check out our other guides. To have your reference list or bibliography automatically made for you, try our free citation generator.


Pink text = information that you will need to find from the source.
Black text = text required by the Harvard - University of Wolverhampton style.

Reference list

Place this part in your bibliography or reference list at the end of your assignment.


Author Surname, Author Initial. (Year Published) Title.


Brown, E. (2014) Re: Questions for Barry's MA course.

In-text citation

Place this part right after the quote or reference to the source in your assignment.


(Author Surname, Year Published)


On a very high level, yes, it is absolutely ideal.  Good films at modest budgets are far mor​e achievable now than then have ever been and clearly, the less you spend the easier it is to make profit and with the backing of a major studio (who have enough MAJOR titles to negate the risk of even a £10M spend on a low budget movie) you are almost guaranteed and audience and a profit.  However, FIRST, this model doesn't really exist in the UK.  Even from major distributors like Universal, they are rarely going to spend 8 figures on a low budget movie, unless the film is one of the tiny proportion of films that is genuinely exceptional.  Plus, this model is only really achievable with the highly genre style films as we've seen through the Jason Blum's model (mainly horror and thriller.)  When it comes to other genres, the success of the film (based on the distributors' ability and inclination to place it in the market) is going to based heavily on cast.  And securing cast at a low budget is very difficult UNLESS you have an absolutely exceptional script.  And if you've got an exceptional script, you are more likely to have an exceptional film, which the distributors might take a risk on.   The way I see it, if the distributor backs a project (genuinely backs it) it will perform. (Brown, 2014)

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